The TUBE-TECH CL 1B Compressor features a gain-reduction element, positioned immediately after the input transformer. It is controlled by the sidechain amplifier, which also contain the two time control circuits one for fixed and one for variable Attack/Release. The two time-controllers can either be used separately or combined. This circuit contains semiconductor OP-amps for the entire control.
The TUBE-TECH CL 2A Dual Compressor features two independent optical compressors. The optical gain reduction element is placed after the input transformer and then followed by an all tube-based output amplifier with a +10 dB gain. A switch with three positions (Link 1, Off, Link 2) is used whenever you want to use the two separate compressors in stereo mode or link several compressors together. The two link busses are identical.
The TUBE-TECH LCA 2B is a two-channel unit with an independent compressor and limiter per channel. The unit is all tube based (except for the power supply and side chain circuit). The VCA (1 dual triode) is placed between the input transformer and the output stage (2 dual triodes).
The 1176 is based on the E&F versions of the black faced original, with the sole addition of XLR I/O as well as the original screw in terminals. This is the one to make your vocals sit, king on guitar, magic on bass and stunning on drums.
Calibrates two mono 1176s for stereo operation.
The Universal Audio LA-2A Levelling Amplifier. Legendary, high-end, electro-optical compressor used for vocal, bass and instrument tracking across the world.
Stereo Quad VCA compressor and the successor of the superb VSC-2 with additional attack release times, new Peak or RMS detection modes, dual, mono or stereo sidechain modes.