Featuring microphone level, line level, and Hi-Z instrument inputs, the 2BA-221 utilizes separate and individually controlled solid state input controls to mix the microphone input with the Hi-Z or line input into the variable vacuum tube output.
Pure transparency, gain control, warmth, valve-osity and magic. Massively effective on stereo mix down. Can be used in dual mono mode.
Stunning 4-in-1 channel strip designed with four independent modules and fully balanced I/O and a unique TouchPatch analogue routing matrix.
A full range 4-band, passive, frequency switchable, swept Q, mono valve EQ unit, with high and low pass filters, and individual band bypass. Beautiful sound. 2U.
A passive stereo valve EQ unit, with LF boost and cut @ 20,30,60,100 Hz, and switchable HF boost @ 3, 4, 5, 8, 10, 12, 16 Khz with variable bandwidth, and HF shelving cut @ 5, 10, 20 Khz. High pass filters. A stunning EQ that adds magic to everything it touches. Fantastic for programme sweetening. XLR balanced I/O.
Mono valve unit with mic, line, and instrument input, coupled with a valve compressor/limiter.
Valve DI with variable impedance, close to the DI sound of the front end of the Summit MPC100A.
Based on the Teletronix LA2A, this gives you that soft warm Californian sound, so flattering to vocals, so sublime on everything else. It goes by the name of , Tube Limiting Amplifier, and is a valve unit
Half-rack valve compressor based on the legendary Summit TLA-100
Transformer balanced dual valve microphone pre-amplifier using Jensen transformers, 2 x instrument inputs @ 1M ohm, and separate balanced line inputs.