Brought to you from the man who invented the very concept of Parametric Equalization, the 8200 has been an industry standard for over twenty years, and can be found on virtually every major recording studio’s stereo buss. Each of the five broadly-overlapping bands offers 15dB of Boost or Cut and adjustable bandwidth (or Q) from 0.4 to 4.
The lowest and highest bands also can be switched to Shelf mode. Quite simply, the 8200 is the archetype Stereo Parametric Equalizer.
Its extraordinary resolution, benchmark transparency, generous headroom, and surgical precision have been the reference for many other equalizers, but exceeded by no other.
It fits into a 2U, 19″ space.
Requires 1 x 8355 PSU
The 32EQ is a new 500-series version of the EQ and filters from the renowned Harrison 32 Series consoles.
Mix and mastering stereo Tilt and Baxandall EQ designed to change the overall tonality of perfectly balanced material.
The G14 is a true tube, all passive, stereo equalizer. It consist of five bands – each with 11 switchable frequencies, variable “Q”, and boost/cut selection. It also has an output level trim, and a “hard” relay bypass control.
Single-Channel 2U Rack for Helios Type 69 Mic preamp and EQ and F760 modules
Stereo Passive Equalizer with Tube Organic Amp.
Rubber Bands 500 is a passive equalizer absurdly reduced in size.
19” Stereo 4-band EQ designed to provide precise control over tone and texture of sound.
Single-channel, 1 slot, 500 Series 2-band EQ featuring Maag’s renowned Air band and a Low Mid Frequency band ranging from Sub to 1.4kHz
Manley re-creation of the Pultec EQP1A.